Perc Launders
7 Films
Perc Launders
7 Included Films
Directors: George Somnes & Alexander Hall
Directors: George Somnes & Alexander Hall
Director: Garson Kanin
Director: Garson Kanin
Director: Orson Welles
WB Europe 4K Blu-ray slightly better encoding than Criterion (caveat: missing Criterion extras)
Director: Orson Welles
WB Europe 4K Blu-ray slightly better encoding than Criterion (caveat: missing Criterion extras)
Director: Billy Wilder
Kino Lorber Blu-ray > MoC. Kino Lorber is made from a 4K scan of negative, the older MoC have crushed black levels.
Director: Billy Wilder
Kino Lorber Blu-ray > MoC. Kino Lorber is made from a 4K scan of negative, the older MoC have crushed black levels.
Director: Billy Wilder
Paramount 4K Blu-ray or Blu-ray
Paramount 4K Blu-ray. See caps HDR/grading: nice, but some blown outEncoding: inconsistent, smeared motionDNR: inconsistent, frozenOld Paramount Blu-ray is arguably a solid alternative choice
Paramount 4K Blu-ray mono is different version of the BD mono from the same old 2000 DVD transfer.
The 5.1 remix on the UHD is an appalling remix done by going wild with artificially generated stems from Park Road Post who were given the surviving mono to separate. The experience is jarring and fidelity to original mix in terms of level balance, directionality and impact is nonexistent. Not only does this sound painfully weird, but the Paramount mixers then did whatever they wanted in terms of LFE, sound pans and effect changes. The original mono mix was not restored and still needs it badly. The 4K master is filled with frozen grain examples coming and going plus some HDR issues in addition to the usual Paramount problems. It is simultaneously better and worse than the BD master.
Director: Billy Wilder
Paramount 4K Blu-ray or Blu-ray
Paramount 4K Blu-ray. See caps HDR/grading: nice, but some blown outEncoding: inconsistent, smeared motionDNR: inconsistent, frozenOld Paramount Blu-ray is arguably a solid alternative choice
Paramount 4K Blu-ray mono is different version of the BD mono from the same old 2000 DVD transfer.
The 5.1 remix on the UHD is an appalling remix done by going wild with artificially generated stems from Park Road Post who were given the surviving mono to separate. The experience is jarring and fidelity to original mix in terms of level balance, directionality and impact is nonexistent. Not only does this sound painfully weird, but the Paramount mixers then did whatever they wanted in terms of LFE, sound pans and effect changes. The original mono mix was not restored and still needs it badly. The 4K master is filled with frozen grain examples coming and going plus some HDR issues in addition to the usual Paramount problems. It is simultaneously better and worse than the BD master.
7 films